Like a planetary sphere, the chair could revolve on its own axis, allowing the user to vary the view of вЂouter spaceвЂ™.ДЄn extension of this idea was Aarnio's Bubble Chair (1968). Aarnio described the Ball Chair as 'a room within a room' it forms a protective cocoon with a calm atmosphere, blocking out external sound and giving a private space for relaxation. The Ball Chair by Eero Aarnio was designed using one of the simplest geometric forms - the sphere. Elsewhere, office and home interiors were reduced to clean, futuristic spaces with cool furniture made from moulded plastics. This consisted of bold, sculptural curves to create a fluid space, both organic and futuristic. For example, the Finnish designer Eero Saarinen created the TWA terminal at John F. The space age look can best be described вЂfar outвЂ™.Дesigners made airports that looked like spaceports. The enthusiasm for all things futuristic gave rise to a Space Age style based on capsule and pod-shaped furniture. Also, the feedback influence of the space-age fashion on the new generation SpaceX and Boeing suits is discussed.The 1960s were known as the вЂSpace AgeвЂ™ for a number of reasons: the Space Race was underway America and Russia were competing for supremacy in the cosmos and the first moon landing occurred in 1969.

Major creative ideas included new colours such as silver, new materials such as metallic, new styling such as flying saucer, new patterns such as totems, and the use of new technologies such as 3-dimensional (3D) printing, with the most important considerations of noble, elegancy and aesthetics. The purpose of this paper is to systematically and methodically review the inspiration and significant influence of space exploration and universe discovery on the fashion aesthetics, styling and design in six decades from 1960 to the current year. For the six decades up to now, at least 15 fashion designers launched the so-called вЂњFashion communitiesвЂ™ interplanetary missionвЂќ in different years: AndrГ© CourrГЁges (1964), Mary Quant (1965), Reed Crawford (1966, specialized in hat design), Pierre Cardin (1968), Paco Rabanne (1968), Thierry Mugler (1979), Issey Miyake (1995), Alexander McQueen (1995), Nicolas GhesquiГЁre (2007), Hussein Chalayan (2007), Christopher Kane (2011), Raf Simons (2014), Donatella Versace (2016), Karl Lagerfeld (2017), Nicolas GhesquiГЁre (second time in 2019, as the artistic director of Louis Vuitton) and Iris Van Herpen (2019). On the other hand, Pierre Cardin demonstrated his early space-age work at the Paris Fashion Week in 1968 and was called the pioneer of the space-age fashion designer. From 1964, AndrГ© CourrГЁges extensively used the white and silver metallic colours which soon became the definition of aesthetics at that time and was named Godfather of the space-age designer. Being inspired by the rapid developments in space and universe explorations, AndrГ© CourrГЁges, Pierre Cardin and many other designers opened the frontier territory of the space-age era in the fashion community. Launch date of the first artificial satellite Sputnik 1 was on October 4, 1957, therefore it was commonly considered to be the starting year of the space age.

Space age design